Following the success of We Can’t Stop, Miley released Wrecking Ball, a song that remains one of the biggest hits of her career. Unlike the rebellious tone of her previous single, Wrecking Ball was a deeply emotional breakup ballad with raw, vulnerable lyrics. The accompanying music video, featuring Miley swinging on an actual wrecking ball, became one of the most talked-about visuals of the decade. The song topped charts worldwide, proving that Miley was more than just controversy—she had the vocal and emotional depth to back up her artistic choices.
After the whirlwind success of Bangerz Her Rock Era
Miley experimented with psychedelic and alternative gambling database influences on Miley Cyrus & Her Dead Petz, an album that showcased her willingness to break free from commercial expectations. While the album was not a mainstream success, it demonstrated her commitment to artistic exploration and creative expression.
Miley’s evolution continued with Younger
Now, an album that paid tribute to her country roots. Songs like flashing cartel and screen memory Malibu offered a softer, more introspective side of her music, with lyrics reflecting her personal growth and experiences in love. However, it was her next album, Plastic Hearts, that truly cemented her status as a versatile artist.
Inspired by classic rock and new wave, Plastic Hearts featured collaborations with rock legends list of real mobile phone numbers like Joan Jett and Billy Idol. The album’s lead single, Midnight Sky, was a synth-driven, empowering anthem that showcased Miley’s raspy vocals and newfound confidence. Prisoner, featuring Dua Lipa, blended rock and pop seamlessly, creating one of her most infectious hits to date.
Her cover of Heart of Glass by Blondie further proved her ability to take on rock classics with ease, earning praise from both fans and critics. This era showed that Miley was not confined to any single genre—she could successfully transition from pop to rock while maintaining her authenticity.